The concert last Thursday evening, part of a festival called “pipeworks”, juxtaposed Mendelssohn organ and choral pieces with Bach organ and choral pieces. One is supposed to hear how heavily Bach influenced Mendelssohn, but I like to think of it as a competition where we have given the challenger a chance to win the championship belt.
The
The next section of the evening was perhaps the most interesting: six short organ pieces by Bach (BWV 599,606,614,618,621,630) from the Orgelbuchlein alternately interspersed with the six "Spruche” (Op 79) by Mendelssohn for choir. While the Mendelssohn choir pieces were also excellent, these organ pieces are masterworks and are more varied and modern than you might expect from Bach. The organist did not repeat the mistakes of the Prelude and Fugue and generally gave an excellent showing. The final BWV 630 was in classic Bach style and was perfectly performed. (Here is one you tube and another of the piece)
At the two thirds mark, Bach still held a strong lead. But the closing innings would belong to Mendelssohn.
The final part of the program gave the challenger his chance to shine: A performance of his Double Chorus Psalm 2 ``Warum toben die Heiden,” followed by his organ sonata in C minor (Op 65 number 2). While these are both very nice, they were still clearly outshone by the earlier Bach. When the
My colleague here at Maynooth, Joost Slingerland, and his wife Theresa, both sing with the Mornington singers who performed the choral part of this event. Kudos to them, the entire choir, and the organists. And Kudos to Mendelsson and Bach!
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